Looks like it.

Trivia note: Eddie Cochran died after a car smash about a mile from where I now live. My missus knows a woman who lived over the road and came out and put a blanket over him. Just to keep him warm, not as a shroud.

Why would you add a douchebag like Cobain with these illustrious musicians

Ronnie Van Zant
Steve Gaines
Allen Collins
Jesse Ed Davis
Berry Oakley
Terry Kath
Judee Sill
Tim Buckley
Shannon Hoon
Jim Croce
Ron "Pigpen" McKernan
Randy Rhoads
Hillel Slovak

I tend to be a bit contrary here, as I think some of those mentioned are only famous today BECAUSE they died young. You can't compare the output of Buddy Holly with Richie Valens for example. Not saying Valens wouldn't have done more if he'd lived, but had he not written another song and just got old and fat he'd be seen basically as a one-hit wonder except for afficianados of 50s music.

Anyway, why isn't the one out of Mel and Kim that died on anybody's list?

Have to agree with this, to use Buddy Holly as an example there is no reason to assume that he would still be producing cutting edge popular music through the 1960s or 70s if his plane hadn't crashed that night or that anyone would venerate his 1950s work in the way that they have since, who amongst the under 50s (for instance) know who Carl Perkins is, yet he lived to an old age and wrote at least one of the most influential songs of the 1950s - each generation has a similar example who's star rises and then fades, each contribute to the music but most are quickly discarded when the next fad comes along.

If you don't actually know, then there's little point in explaining

Please explain, if he hadn't took his own life he would be long forgotten by now just like April Wine, a mediocre Musician at best, very poor guitarist, the best thing about Nirvana was Dave Grohl

I often think that if Hendrix had not died he would be nowhere near as legendary as he is, but thats just me

Both Cobain and Hendrix did a similar thing. They smashed a great big fsckin hole in the existing walls of rock and dragged the astonished to places they hadn't been before. Cobain did that whilst he lived. It didn't happen after he died. Same with Hendrix. Both came up with something that blew your mind, and both were utterly compelling performers. Here's a snippet about Hendrix Quote There was also curiosity from the emergent powerhouse of British blues: Cream and Eric Clapton. There was a particular night when Cream allowed Jimi to join them for a jam at the Regent Street Polytechnic in central London. Meeting Clapton had been among the enticements Chandler had used to lure Hendrix to Britain: "Hendrix blew into a version of [Howlin' Wolf's 'Killing Floor'," recalls Garland, "and plays it at breakneck tempo, just like that – it stopped you in your tracks." Altham recalls Chandler going backstage after Clapton left in the middle of the song "which he had yet to master himself"; Clapton was furiously puffing on a cigarette and telling Chas: "You never told me he was that fzcking good." www.theguardian.com/music/2010/a ... sary-death '" You are of course perfectly entitled to say Clapton doesn't know what he's on about.

Both Cobain and Hendrix did a similar thing. They smashed a great big fsckin hole in the existing walls of rock and dragged the astonished to places they hadn't been before. Cobain did that whilst he lived. It didn't happen after he died. Same with Hendrix. Both came up with something that blew your mind, and both were utterly compelling performers. Here's a snippet about Hendrix Quote There was also curiosity from the emergent powerhouse of British blues: Cream and Eric Clapton. There was a particular night when Cream allowed Jimi to join them for a jam at the Regent Street Polytechnic in central London. Meeting Clapton had been among the enticements Chandler had used to lure Hendrix to Britain: "Hendrix blew into a version of [Howlin' Wolf's 'Killing Floor'," recalls Garland, "and plays it at breakneck tempo, just like that – it stopped you in your tracks." Altham recalls Chandler going backstage after Clapton left in the middle of the song "which he had yet to master himself"; Clapton was furiously puffing on a cigarette and telling Chas: "You never told me he was that fzcking good." www.theguardian.com/music/2010/a ... sary-death '" You are of course perfectly entitled to say Clapton doesn't know what he's on about.

Nirvana had far less influence on music than Ozzy osbourne's guitarist. No, really.

I recall seeing Jeff Beck on TV telling the same tale a few years back, and he said (in a very admiring tone) "he just blew Clapton off his own stage, man !"

i never said Hendrix wasn't any good, as for Cobain he was nothing more than the poster boy for the made up genre that the masses know as grunge, there was other musicians far more important to that movement than Cobain, and btw i remember when he was alive, he was more famous after he died, Nirvana was nothing more than the Duran Duran of the Seattle scene, Soundgarden, Screaming Trees, Green River, Skin Yard, The Melvins, Tad Doyle and others where the true innovators of the Seattle scene

You damned Hendrix with faint praise. The last thing Cobain wanted was posterboydom. Him ending up dead is probably down to his inability to be that or cope with it. Oh, and poster boys don't tend to write albums like Nevermind, on the whole. It was genius, and still is because it has stood the test of time. Teen Spirit still sounds awesome in 2015 to my ears and it has nothing to do with whether or not Kurt Cobain is fulfilling his wellness potential. Hendrix tracks like Hey Joe or Purple Haze would still be genius in 2015 even if Hendrix was still alive and selling washing machines.

Rattling off obscure names from the Sub Pop label and claiming Nirvana were "Duran Duran" is very much not an argument. I saw Mudhoney on the Sub Pop tour when they played in London at, I think, The Astoria. Tad were supporting and guest opening act were Nirvana. I was a big fan if Mudhoney but Nirvana blew them away. The only interesting thing about Tad's show was Tad stage diving. Tad were boring and monotone.
Nirvana were simply a much better band than any of them - with the possible exception of Soundgarden. Better musicians, better songwriters and Cobain had whatever "it" is that makes a star.
Nevermind was out nearly 12 months before it broke big, if they were "poster boys" then they were poster boys in the way the Beatles were for Mersey Beat.
And Cobain had balls, to release In Utero after Nevermind which Covain thought was far too clean, was amazing. In Utero is a masterpiece.

Sometimes people get jealous when fans outside their world buy into bands from "their" genre and sometimes this same fans resent the success of bands because if this.

I'd just like to add that I've never heard of any of these popular beat combos, but I'm still way, way cooler than anyone else, its just the law.

It isn't.

I know way more about Afrobeat than you.

Therefore, I am the coolest.

Hendrix is one of the few that I think would have gone on to achieve greater things had he lived. He wasn't the best guitarist, in fact, he was very sloppy and was aided by the fact he had hands like tarantulas to move around the neck. But, like Cobain he took popular rock music to a place he hadn't been before and laid the foundations that hard rock and metal would be built on. Now, if you're not a fan of them then that's fine, but to argue their importance is lunacy IMO.

Don't underestimate the value of the production quality of 'Nevermind' towards its success.

There are any number of any great songs/albums out there that are hard to truly enjoy due to poor production - and it's not unreasonable to say Nirvana could have gone that way if they had ended up with a similar sound to, say, Misfits. Butch Vig did a great job (he even tricked Cobain into recording vocal overlays), as did the final mixer (who incidentally mixed Slayer's 'Seasons in the Abyss', their best sounding album by far imo).

Their songs were very simple but catchy, and they were great live. But more than that they were in the right place at the right time. Is Cobain worthy of his legendary status? Not in my opinion, as much as I love their music.

It is irrelevant that there are better lesser known artists.
Hendrix and Cobain did the business and played to a wide audience when it mattered and when they were relevant.
To say Hendix was not the most technically gifted guitarist is purile.
Who gives a e, he was brilliantly different.
I loved him. Loved his voice too.

The Cobain sound was terrific.

Why criticise movers and shakers like these.
Thank goodness they were there to enrich our lives.

It is irrelevant that there are better lesser known artists.
Hendrix and Cobain did the business and played to a wide audience when it mattered and when they were relevant.
To say Hendix was not the most technically gifted guitarist is puerile.
Who gives a e, he was brilliantly different.
I loved him. Loved his voice too.

The Cobain sound was terrific.

Why criticise movers and shakers like these.
Thank goodness they were there to enrich our lives.

Cobain was a fraud, he craved superstardom and wanted to be praised and adored, he just didn't want the fans to know this, he would tell groupies he was a huge rock star and would order them to give him blowjobs, he was ecstatic with the outcome of Nevermind, he loved the fact that it was so polished and well produced so much that he jumped for joy in the studio hugging Vig and the other engineers while all along he treated the album with disdain saying it was similar to a Motley Crue album, don't believe the hype made by all the hero worshippers and do some research

I think you're very wrong, personally. His legendary status is down to his approach to the guitar, his creativity and innovation. Nobody played guitar in the same way before he did, millions tried to afterwards.



How do you define best? In precision of technique, he probably wasn't, but a lot of technically precise guitarists produce sterile, sweep-picking up and down exotic scales and forget about actual music and melody. But as above, his creativity and innovation elevated him above his peers and guitarists since. IMO he is/was the best I've heard, but it's an unquantifiable opinion. Jimmy Page is another who often got scruffy with his playing, but he's another who was definitely one of the 'best'.

Furthermore on the technique point, Clapton was mentioned earlier and is a good example. He is now a much finer player technically, as he has improved and expanded throughout his career. However I think a hefty proportion of people will tend to say that his highpoint as a guitarist was the Beano album and Cream years. The passion and aggression in that period was much more appealing than the tasteful phrasing of later years.

N.B. I'm talking strictly rock/popular music here. It's impossible to really compare across vastly differing genres. I've heard people try and debate how rock guitarists compare to players like Segovia and Reinhardt. What's the point?

All that may be true, but all that matters to me is what comes out of the speakers .... and I like what I hear.

I agree with you and that was my point. Joe Satriani, and Randy Rhodes ARE (were) better guitarists but they had no where near the cultural impact of Hendrix or Jimmy Page, and of course I would much rather listen to Hendrix, but if I was teaching a young guitarist I'd more likely tell them to listen and watch Satriani, but that's far from a criticism.