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My top 10 'Desert Island Disc' albums (if they had to be by different artists) would be:

Born To Run - Bruce Springsteen
Blood On The Tracks - Bob Dylan
Days Like This - Van Morrison
Graceland - Paul Simon
Bop Till You Drop - Ry Cooder
The Pretender - Jackson Browne
In Dreams: Greatest Hits - Roy Orbison
Who's Next - The Who
Free Live - Free
Live & Dangerous - Thin Lizzy

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I've been on the internet and have already got a sense of the fans' passion for the club. They are very fanatical - Peter Gentle 12th September 2011. Money doesn't talk it swears, Obscenity who really cares, Propaganda all is phony. I'm the son and heir of a shyness which is criminally vulgar. Hanging on in quiet desperation is the English way. A man who lives in hell can still aspire to heaven.:cartoons/WB17.gif



Quote: Black and white v2 "The only album that was 'leftovers' was be here now. The rest of the albums only got such a bad reception because they didn't live up to the first two but there still great albums'"


None of the post Morning Glory albums are particulary bad per se (even the overblown mess that is Be Here Now has its moments) although I would stop short of calling any of them great. Most of them are a decent enough listen, trotted out in the well established Oasis sound (even the two post split releases) with the odd cracking tune sprinkled here and there.

The problem with all of the Gallaghers post 1996 work (as you point out above) is that they are forever destined to live in the shadow of the first two Oasis albums which cut such a blaze of glory through British popular youth culture during 94-96 (the so called Britpop years) meaning it was virtually impossible for Noel Gallagher to maintain those standards whilst continuing to exert an influence over British rock/pop as a whole.

He certainly isn't the first rock star to be confronted with this dilemma (the second half of Led Zeppelin's career suffered in the same way for instance), but ultimately the Gallaghers post 1996 work is a pleasant enough listen without quite having the white knuckle ride feel of those first two iconic releases and I'm afraid they suffer accordingly.

I'm pretty sure you will heartily disagree with all of the above, as many others doubtless will icon_biggrin.gif , but for what it's worth that's my opinion.

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quadrophenia- the who
unknown pleasures- joy division
closer- joy division
purple rain- prince
rumours- fleetwood mac
cockney rejects-live n loud
stone roses- stone roses
delicate sound of thunder- pink floyd
never mind the - sex pistols
the clash- the clash
madstock- madness
the specials- the specials
the joshua tree- u2
white ladder- david gray
9th symphony- beethoven-furtwangler
tubular bells- mike oldfield
you could go on and on couldnt you

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Quote: BP1 "Jeez, I know following a team can be so frustrating and heartwrenching (particularly Fc
I understand where you're coming from, it is extremely dark and can be a unhealthy indulgence in a way, but I do rate it as a really beautiful work of original art in a way no other great album is.

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Quote: boro_boy "Closer-Joy Division - personal life soundtrack
Infidels-Bob Dylan
Physical Graffiti-Led Zeppelin
The Clash-The Clash
Pretenders-Pretenders
In Rainbows-Radiohead
Scarlet's Walk-Tori Amos
Greatest Hits-Slade
Cohen Live Leonard Cohen
The wild the Innocent..-Springsteen
Station To Station -Bowie
Diamond Dogs-Bowie
Ten-Pearl Jam'"


Blimey, you must be a happy camper. icon_wink.gif

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Quote: BP1 "None of the post Morning Glory albums are particulary bad per se (even the overblown mess that is Be Here Now has its moments) although I would stop short of calling any of them great. Most of them are a decent enough listen, trotted out in the well established Oasis sound (even the two post split releases) with the odd cracking tune sprinkled here and there.

The problem with all of the Gallaghers post 1996 work (as you point out above) is that they are forever destined to live in the shadow of the first two Oasis albums which cut such a blaze of glory through British popular youth culture during 94-96 (the so called Britpop years) meaning it was virtually impossible for Noel Gallagher to maintain those standards whilst continuing to exert an influence over British rock/pop as a whole.

He certainly isn't the first rock star to be confronted with this dilemma (the second half of Led Zeppelin's career suffered in the same way for instance), but ultimately the Gallaghers post 1996 work is a pleasant enough listen without quite having the white knuckle ride feel of those first two iconic releases and I'm afraid they suffer accordingly.

I'm pretty sure you will heartily disagree with all of the above, as many others doubtless will
Agree with most of that I love every album they made though. Just the bit about they should have split after knebworth that I disagree. Even if they only made one good song after that they were still amazing live. Noel said himself he probably wasted about 2 albums worth of material on b sides which he regrets I think, particularly the masterplan

68 posts in 6 pages 
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Subscribe | Moderators: Admin, Kosh , Roland_R , Karen
68 posts in 6 pages 
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Subscribe | Moderators: Admin, Kosh , Roland_R , Karen



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